An Aux Send (short for Auxiliary Send) is a vital tool in sound mixing that allows sound engineers to create separate mixes from the main sound. Think of it like having multiple paths to send sound - while the audience hears the main mix, performers might need different mixes in their earpieces, or certain effects might need to be added to specific sounds. It's similar to having different taste-testers sampling different versions of a recipe while the main dish goes to the dining room. Sound engineers use Aux Sends daily to manage monitor mixes for performers and to add effects like reverb or delay to voices and instruments.
Managed 12 Aux Send mixes for a Broadway-style musical production
Created custom Aux Send configurations for monitor mixing during large-scale concerts
Optimized Auxiliary Send routing for complex stage monitor requirements
Typical job title: "Sound Engineers"
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Q: How would you handle monitor mixing for a 15-piece orchestra with different monitor needs?
Expected Answer: A senior engineer should explain their approach to organizing multiple aux sends, prioritizing key instruments, and managing different monitor zones while maintaining clear communication with performers.
Q: Describe a challenging aux send setup you've managed and how you solved any issues.
Expected Answer: They should share a specific example demonstrating problem-solving skills, such as dealing with feedback issues or complex routing requirements while maintaining show quality.
Q: How do you prevent feedback when setting up monitor mixes using aux sends?
Expected Answer: Should explain basic feedback prevention techniques, proper gain structure, and how to balance monitor levels without compromising the main mix.
Q: What's your process for setting up aux sends for a typical band performance?
Expected Answer: Should describe a systematic approach to creating monitor mixes, including communication with performers and proper level setting.
Q: What is the difference between pre-fader and post-fader aux sends?
Expected Answer: Should be able to explain that pre-fader sends aren't affected by the main fader position (good for monitors), while post-fader sends are (good for effects).
Q: How do you label and organize your aux sends on a mixing console?
Expected Answer: Should demonstrate basic organizational skills and understanding of clear labeling conventions for different monitor mixes and effects sends.