Monitor Mix refers to the customized sound feed sent to performers' earpieces or stage speakers during live performances. Think of it like a personal radio station for each performer - they can hear themselves, their fellow performers, and whatever else they need to perform their best. This is different from what the audience hears. Sound engineers create these custom mixes to help singers stay in tune, musicians stay in time, and actors hear their cues. It's a crucial part of modern live performance, whether in theaters, concerts, or broadcasting.
Created custom Monitor Mix setups for 12-piece orchestra and lead performers
Managed complex Monitor Mix systems for Broadway-style productions
Designed and operated Monitor Mixes and Stage Monitor configurations for national touring productions
Typical job title: "Monitor Engineers"
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Q: How do you handle multiple performers requesting conflicting monitor mix changes during a show?
Expected Answer: Should explain prioritization strategies, quick problem-solving, and maintaining good communication while ensuring show quality isn't compromised. Should mention experience with different performer personalities and diplomatic solutions.
Q: Describe a challenging monitor situation you've solved in a high-pressure environment.
Expected Answer: Should demonstrate leadership in crisis management, technical troubleshooting skills, and ability to maintain calm while solving complex problems during live performances.
Q: How do you prepare monitor mixes for a new show with multiple performers?
Expected Answer: Should discuss preparation techniques, communication with performers, sound check procedures, and documentation methods for saving and recreating mixes.
Q: What's your approach to preventing feedback in monitor systems?
Expected Answer: Should explain basic feedback prevention techniques, equipment positioning, and how to maintain quality sound while avoiding technical issues.
Q: What's the difference between FOH (Front of House) mix and monitor mix?
Expected Answer: Should be able to explain that FOH is what the audience hears, while monitor mix is what performers hear on stage, and why they need to be different.
Q: How do you communicate with performers about their monitor needs?
Expected Answer: Should demonstrate basic understanding of performer communication, hand signals during shows, and basic terminology used to discuss sound needs.