Voice Types

Term from Opera Production industry explained for recruiters

Voice Types refer to the different categories of singing voices in opera and classical music. This classification system helps opera companies and music directors match singers to appropriate roles. Just like how different instruments have different ranges and sounds, human voices are categorized by their natural pitch range, power, and tone color. The main categories include soprano, mezzo-soprano, contralto (for women), and tenor, baritone, bass (for men). When you see these terms in resumes or job descriptions, they indicate the specific vocal range a performer specializes in or what type of singers a production is looking to cast.

Examples in Resumes

Directed casting for productions requiring diverse Voice Types, including dramatic sopranos and lyric tenors

Coached Voice Types across all ranges, specializing in developing young dramatic voices

Managed rehearsal schedules for multiple Voice Types in main stage productions

Typical job title: "Voice Teachers"

Also try searching for:

Vocal Coach Voice Specialist Singing Teacher Opera Director Casting Director Vocal Repertoire Coach

Where to Find Voice Teachers

Example Interview Questions

Senior Level Questions

Q: How do you approach casting different voice types for a major opera production?

Expected Answer: A senior professional should discuss the importance of matching voices to roles based on both range and dramatic requirements, considering factors like vocal stamina, theater size, and orchestration. They should mention experience with different vocal classifications and understanding of how voices mature and develop.

Q: How do you handle situations where a singer's voice type doesn't perfectly match the role requirements?

Expected Answer: Should demonstrate knowledge of creative solutions, such as transposition options, alternative casting approaches, and understanding of vocal health considerations when making such decisions.

Mid Level Questions

Q: What are the key differences between dramatic and lyric voices of the same voice type?

Expected Answer: Should be able to explain the differences in vocal weight, color, and power, and how these characteristics affect role assignment and repertoire selection.

Q: How do you determine if a young singer is ready to take on more demanding roles within their voice type?

Expected Answer: Should discuss vocal maturity indicators, technical readiness assessment, and the importance of gradual progression in role difficulty.

Junior Level Questions

Q: Can you name the main voice types and their typical ranges?

Expected Answer: Should be able to list the basic voice types (soprano, mezzo-soprano, contralto, tenor, baritone, bass) and describe their general range characteristics.

Q: What are some common repertoire pieces for each main voice type?

Expected Answer: Should be familiar with standard arias and roles typically assigned to each voice type, especially for beginning singers.

Experience Level Indicators

Junior (0-2 years)

  • Basic understanding of vocal ranges
  • Knowledge of standard repertoire
  • Basic vocal pedagogy
  • Understanding of vocal health principles

Mid (2-5 years)

  • Advanced repertoire knowledge
  • Voice type classification ability
  • Understanding of voice development
  • Experience with multiple voice categories

Senior (5+ years)

  • Expert casting decisions
  • Advanced vocal pedagogy
  • Production planning expertise
  • Extensive repertoire knowledge across all voice types

Red Flags to Watch For

  • Unable to distinguish between basic voice types
  • Lack of knowledge about vocal health and safety
  • No understanding of age-appropriate repertoire
  • Limited familiarity with standard opera repertoire
  • No experience with live performance or production