MOS (Mit Out Sound)

Term from Film Production industry explained for recruiters

MOS, which stands for "Mit Out Sound" (or sometimes "Missing Out Sound"), is a common film industry term for scenes that are filmed without recording sound. This happens when the audio will be added later in post-production. For example, this might be used during action sequences, distant shots where dialog isn't important, or when filming conditions make good sound recording impossible. The term's unusual spelling comes from a story about a German director in Hollywood who would write "Mit Out Sound" on silent takes, and the abbreviation stuck in the industry.

Examples in Resumes

Directed multiple MOS sequences for action-heavy commercial spots

Coordinated MOS shoots in high-noise urban environments

Managed sound design for 20+ MOS scenes in feature film production

Typical job title: "Film Production Professionals"

Also try searching for:

Film Director Production Manager Sound Designer Film Editor Production Coordinator First Assistant Director Post-Production Supervisor

Where to Find Film Production Professionals

Example Interview Questions

Senior Level Questions

Q: How do you plan and budget for MOS sequences in a production?

Expected Answer: A senior professional should explain how to evaluate which scenes should be shot MOS, considering factors like budget, schedule, location constraints, and post-production requirements. They should discuss how this affects crew scheduling and post-production planning.

Q: What considerations do you take into account when scheduling MOS shots versus sync sound?

Expected Answer: Should demonstrate knowledge of production efficiency, explaining how MOS shots can speed up filming by eliminating sound concerns, but may increase post-production costs. Should discuss balancing these factors in production planning.

Mid Level Questions

Q: How do you communicate MOS requirements to different departments?

Expected Answer: Should explain how to coordinate between sound, camera, and post-production departments, including proper documentation and scheduling practices for MOS scenes.

Q: What are the common challenges in post-production for MOS footage?

Expected Answer: Should discuss planning for sound design, foley work, and ADR (re-recording dialogue), and how to prepare during shooting to make post-production more efficient.

Junior Level Questions

Q: What does MOS mean and when is it typically used?

Expected Answer: Should be able to explain that MOS means filming without sound and list common situations where it's used, such as action sequences or shots where original sound won't be needed.

Q: How do you mark MOS shots in production paperwork?

Expected Answer: Should know basic production paperwork procedures, including how to mark MOS shots on shot lists, daily reports, and slate/clapperboard.

Experience Level Indicators

Junior (0-2 years)

  • Understanding of basic MOS shooting procedures
  • Knowledge of production paperwork
  • Basic understanding of sound in filmmaking
  • Ability to follow shooting schedules

Mid (2-5 years)

  • Planning MOS sequences
  • Coordinating between departments
  • Understanding post-production needs
  • Budget considerations for MOS vs. sync sound

Senior (5+ years)

  • Production planning and budgeting
  • Department supervision
  • Post-production workflow management
  • Creative decision-making for sound design

Red Flags to Watch For

  • No understanding of basic film production terminology
  • Lack of experience with production paperwork
  • Poor communication skills between departments
  • No knowledge of post-production sound requirements