De-essing is a common audio editing technique used to improve the quality of voice recordings, particularly important in audiobook production. It involves reducing or removing excessive 'sss' and 'shh' sounds that can be distracting or unpleasant to listeners. Think of it like smoothing out sharp sounds in someone's speech to make it more pleasant to listen to. This is a crucial skill for audio editors and producers, as these harsh sounds can make audiobooks uncomfortable to listen to, especially when people use headphones.
Applied De-essing techniques to improve audio quality in over 50 audiobook projects
Utilized De-essing and De-essing Processing to enhance narrator voice recordings
Expert in De-essing workflow for audiobook post-production
Typical job title: "Audio Editors"
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Q: How do you approach de-essing different voice types?
Expected Answer: A senior audio editor should explain how they adjust their approach based on different voices (male/female/child), different microphones used, and various recording environments. They should mention preserving natural speech while removing problematic sounds.
Q: How do you handle de-essing in a rush project without compromising quality?
Expected Answer: Should discuss efficient workflows, automated processes while maintaining quality control, and how to balance speed with accuracy. Should mention tools and techniques for batch processing when appropriate.
Q: What tools do you use for de-essing and why?
Expected Answer: Should be able to name common audio editing software and specific de-essing tools, explaining their preferences based on different situations and types of voice recordings.
Q: How do you ensure you're not over-processing when de-essing?
Expected Answer: Should explain their quality control process, including before/after comparisons, regular playback checks, and maintaining natural speech sounds while removing problems.
Q: What is de-essing and why is it important in audiobook production?
Expected Answer: Should explain that de-essing reduces harsh 's' sounds in voice recordings to make them more pleasant to listen to, and why this matters for listener comfort in audiobooks.
Q: How can you identify when de-essing is needed in a recording?
Expected Answer: Should be able to explain how to spot problematic sibilance in recordings through listening and visual waveform analysis, and when intervention is necessary.